frualeydis (
frualeydis) wrote2006-03-26 08:59 pm
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Tudor dress update pictures
My tudor dress, based mostly on the Holbein sketch of the More family is almost finished. What remains to do is to re-hem the kirtle that I shortened and make the plastron/stomacher and sew it to one side. I also need to buy some good reproduction brass pins to pin the sleeves with and so. Anyway,here are some preview pictures of the dress without the plastron a.k.a. the pregnant look.

The kirtle is a little big and won't keep my breasts compressed and lifted. For the non-pregnant look I will wear a corset under it so it won't be so noticeable, especially not with the plastron on top of it. But I couldn't wear the corset for the pregnant look. That's why it looks a little wonky on the sitting picture. And I have a pillow under the kirtle.


The kirtle is a little big and won't keep my breasts compressed and lifted. For the non-pregnant look I will wear a corset under it so it won't be so noticeable, especially not with the plastron on top of it. But I couldn't wear the corset for the pregnant look. That's why it looks a little wonky on the sitting picture. And I have a pillow under the kirtle.
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Eva
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*green with envy* :)
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Ninya has done quite a bit of research of clothing that ladies wore when pregnant - it does seem to be the "normal" clothes they would have worn when not pregnant. Therefore it could be fairly stiffly made - the only nod to the pregnancy would be to loosen the lacing.
I'm assuming you haven't received your Tudor Tailor book just yet?
Where did you get the fabric for the over sleeves? Its a cut or a stamped velvet, isn't it? Its very pretty fabric.
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But really. everything would have looked much better if teh kirtle had been tighter over the bust area and as I said: I'm tired of fixing the bodice of that kirtle. I will probably make another one instead. The kirtle is laced at the sides which gives flexibility for pregnancy while still being closed in front. Here's (http://i7.photobucket.com/albums/y252/aleydis/costume/redkirtle.jpg) a picture.
I actually think the construction is correct and the problems are caused by inadequate sewing/fitting skills. And laziness. I will probably _have_ to fix the kirtle, but that means redoing all the lacing holes _and_ attaching the skirt again. By hand of course.
Unfortunately the velvet is only printed, but it looked so good I couldn't resist it. I see this as my "trial tudor". I will wear it to SCA events because it's pretty, but I will make another one later.
Eva
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Ninya has a great selection of different fabric swatches at Kentwell OD a week or so ago. One set was REAL buckrum which is stiffer than board! It was great stuff! I'm thinking of making a bodiced petticoat from it with minimal boning and see what happened with that!
Fabric WAS printed then - or painted though not sure it was as early as the More girls. Its very pretty though.
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You know how it is, you'd rather make something new than change stuff.
They had printed fabric even in the 13th century, I've seen some great examples, but I don't know about printed velvet in the 16th c.
And thank you for you kind and interested comments.
Eva
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Could the velvet pass for stamped velvet?
I'm ordering "REAL" stiff buckram from Whaley's. Ninya has swatches of it at KW open day and I was amazed at how stiff it was. It was like a board! I want to use it for my middle class kirtle and see if I can have a bodice that has minimal steel/rigilene boning in it.
Mine will be side laced as well - I want to be able to get into it easily without having to rely on Edmund to dress me all the time! After all, that what MOST women would have done. Its only the gentry and nobility who would have had huge amounts of help!
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Now I simply have to stop by to have a look at it. And maybe play that cool new game too. Terrible, isn't it?
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Eva
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*hugs*
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And, gorgeous! Thank you for making this dress; I've never seen anyone try it before. That is one of my favorite sketches. I love the hat!
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Eva
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One thing I keep forgetting with these dresses is the sketch Holbein did of the woman with the closed skirt dress. I'm so used to thinking of the stomacher over a bodice that laces at the front with an open skirt (which is the vast majorityof portrait gowns.)
That sketch was contemporary with the More sketch as well wasn't it?
I really really love the hood, it is gorgeous:)