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I finished it and I wore it at Plague Wars - the online verison of Double Wars - last week.

In court, which is totally inappropriate for this working class gown:



And at  a picnic which I organized with a very few friends: Alfhild who is fully vaccinated, Anna, who we have been in a bubble with throughout most of the pandemic, and who works from home, and Sara who also is at home all the time except for necessary visits to the shops. And we were outdoors and kept the distance.

Me munching melon:


It was both a nice picnic and a nice event. I have more photos in my costuming blog, here.

In other news I managed to get an appointment and go tmy first shot of Moderna on Monday. On Tuesday I had my first appointment at an agency that handles people with certain disabilities, of which autism is one. I have found that I need to deal with all of the emotions that came after I got my diagnosis, so I hope to see a psychologist through them. They might also help me with my dealings with the agency that handles sick and disability benefits, which has for decades done their best to make my life miserable.

This morning I had an online appointment with the GP that handles my sick leave, and then I didn't ahve much energy left, I am also feeling a little bit tired and ill from the vaccination. However, not worse than that I am going to start making a toile for my 13th century Spanish saya encordata now.
 


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I badly needed a hand sewing project for when having tea with Anna, so I started on an Italian 15th century working class gamurra (kirtle) from a hand woven cotton that I bought two years ago. I started with the skirt, since that requires less thinking, but today I actually cut out the bodice.

With the brain fog from my exhaustion I almost always start with the skirt nowadays, because it's easy to cut an it is after all the hand sewing I am after - and then I make the bodice on a day when my brain feels okay.

The reason I did it today was that I got enthusasitic about transcribing 17th century probate inventories, and I am not supposed to work more than 1,5 hours at this stage of my work rehab, so I had to come up with something to occupy me. It was rainign, so I couldn't go for a walk.

I am quilting two layers of linen together for the front tlining, to give it more support, so that will take some time since I am doing it all by hand.

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I still ahve trouble with my arthritis, but now a more "normal" genreal pain, rather than swollen joints (except the bones and tendons in my left foot). On Monday I will start working again, but I have started a little today with grading. I am so behind at work so it is less stressful to have some of that done. Actually I probably ought to be off work for another week, but that would make things very,very complicated with a few of the courses that I teach.

I can sew and read and I can take walks, but I have a hard time focusing on intellectual work and lecture planning because of pain.

Yesterday I had another SCA sewing meeting at home and it was really nice, even if there was a short while when I thought that some people were triggering each other into complaining about people in the SCA, so I tried to steer the conversation into a more constructive discussion about feelings, and I think that I was successful.

I also helped Mattias to cut out a red woollen surcoat and even did some sewing myself. I am reworking a gown that I made for Visby medieval week 1999 - my 15th century Visby :) 
 Photo of the folded gown, and of Kenya the cat )


I might wear it on St. Egon's Feast next weekend. I may even wear a mi-parti Gothic fitted dress from velvet that I made in 1998 for court, depending on if I have the time/inclination to fix the sleeves.

But I have also finished most of my new Saxon court gown, which I probably will wear at Spring Crown in three weeks time. This is how it looks without sleeves or brustfleck.

teal_Saxon gown_1



The shopping: I also got up early-ish and took trams to another part of town to be there when a certain second hand market opened. Because just before I went to bed I saw that they had posted this chair on their facebook page, and I didn't want to miss it. Sicne it's foldable I could also take it with me on the tram home, but it took its toll on my sick body. Still worth it though.

stol


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 Well, not really, last weekend there wasn't an event, but going to two events with only a fortnight between them is really rare for me and I look so much forward to this one, which is Nordmark's (Sweden) Coronet Tourney. I haven't 100% decided what to wear yet, except that I'm wearing this for court and feast
So I could either go Italian 15th century all the way,. by wearing my working class outift during the day; I ahve made a wool overgown for it so that I won't get too cold (it's below freezing and rather windy at the site, snow is also expected) or I could wear some of my stuff from the high Middle Ages, which probably will be warmer. Or I can just bring along one of my high medieval thick wool overgowns and wear it over the quattrocento gown. So many decisions. I thought that I would want to wear everything but the 13th-early 14th century after Måns and I stepped down, after wearing it for two years, but I really am very enthusiastic over Italian garb from this period.

In any case I will bring my Italian cotton gown, because I'm showing it at the A&S display.

It's five past eight in the morning and I have to work first, so I'll just let those thoughts simmer in the back of my head and make a decision later.
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 All the documentation for my recent 15th century italian gown can now be found over in my costuming blog. Including a pattern for the hat. 


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Teh main fabric is some of those 34 metres of red cotton velvet that I bought a couple of eyars ago and the sleeves are made from a chenille brocade table cloth/wall hanging/whatever that I bought in Nicosia when we went to Cyprus in 2014.

redvelvet side_1

The headwear is based on this 1475-1485 marble bust. I love sculptures - you get to see thingsfrom behind and above. I added a veil which is common in portraits and which I thought fitting for a married woman of a certain age ;)

A Lady marble, 1475-1485 Circle of Andrea del Verrocchio Florentine, 1435-1488

A Lady marble, 1475-1485 Circle of Andrea del Verrocchio Florentine, 1435-1488 Samuel H. Kress Collection 1939.1.326


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I haven't posted for ages (well, a week), I've been away from the computer a lot: sewing, knitting, celebrating full moon, taking long walks with hubby, hanging with friends, making the baronial newsletter etc.
Generally very good stuff.

I made a pair of 40s trousers on the day before Christmas eve and a blouse on New Year's day (photo below). I have also knit one pair of slippers for one of my coven members and started on a new pair for another. The partlet for Valeria's Eleonora outift was finished on New Year's Day, but she has had a bad cold and also mostly been at here dad's, so I haven't had the opportunity to photograph it on her. Hopefully that will happen this week.

The trousers and blouse.

20180104_095149

The inspiration for the blouse was this 1930s sewing pattern. I only had this image, but starting from an old, too large, blouse pattern, it wasn't too complicated to make a new pattern. Usueful thing to have also.

Simplicity2389

I have also actually been working, writing on a grant application that is due on the 24th of January. I will ask you for input later, I depend on my native English speaking friends. Final corrections on an article for an anthology on sumptuary law was also done, but I need to write image captions - that will happen today, when I get back to work properly - actually going to the university, and actually openeing my e-mail.

Friday I decided that making new kitchen curtains was a good idea. I was going to dig out some fabric for a new 15th century velvet gown, but when looking for the velvet scraps I saw the cotton print that I bought this summer to make kitchen curtains, and since I don't change curtains very often I thought that it would be a good idea if they were finished when I take down the christmas curtains next Friday (the traditional time for taking down all christmas decorations in Sweden is the 13th of January).
So I made curtains.

But I also started on the bodice of the gown and finished the lacing holes on the bodice on saturday when I went with some friends to visit some other friends who live in the countryside, for sewing and socializing. The main purpose of that visit was that the next baron, Johan, really needed joined hose, since he's doing 15th century Italian. The current baron also need those so we all applied to the expertise of our friend Ida, who does landsknecht costuming. I had planned to learn by helping out with the pattern for Måns' hose, but in the end only Johan's hose pattern was made, so I ate cookies and sewed on my own stuff. Måns and I plan to return on the 20th to make his pattern. I want to make such hose for Rickard too, so this time I will have to be more involved so that I actually learn how to make them.

Yesterday I started planning the feast for St. Egon, but that will be another post. Now I probably should finish my cup of tea and get dressed and get to work.


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And turned, in this case, since the print really wasn't historical enough. Lots of images here



I've written a short blog post about Italian 15th century coifs here.



The photos are taken by the hospital next to where we live. 19th century architecture can apparently work well as background for Italian renaissance to
And after the photo shoot we raided at the gym there and I finally got an Articuno. Probably the only time someone played Pokémon Go in renaissance clothes around here.

In other news: The holiday was very nice, I bought 15 metres of cotton fabric: 5 metres for curtains in the kitchen (we have three windows, one rather large), 4 metres for a white late 18th century round gown, because obviously I need one of those. I have som printed chintz to use for an open robe over it, cotton broadcloth for a wrap skirt, since I only have one neutral knee length summer skirt that fits me. Patchwork hippie skirts, or ric-rac in abundance is fine, but sometimes you need something more neutral. I also got white, thin cotton broadcloth if I need to make another regency petticoat. Or something. And 2 metres of cotton wit a Halloween print that I hemmed on machine to make it a table cloth for our traditional Halloween dinner.

The first thing I did when we got home on Friday evening was to wash all the fabric and on Saturday I made that skirt.

röd omlottkjol

The blouse is another holiday find: The Salvation Army's 2nd hand shops have racks with blouses for 39 SEK (c. 4,7 dollars) and I bought this one, which is from H&M, and one that I don't think has ever been used, made from white linen.

20170725_122025


BTW, here are my holiday photos.

While on Holiday we went to a large, traditional market, where I got lots of cotton hankies, good quality bed sheets, some red and white striped piping, a heart shaped baking tin and two straw hats which will be partly unraveled and made into bonnets.

DSCN2070

Some of the fabric was bought at Tygladan, which is close to my home village, and some was bought at Kristinedals fabriker, which not only had lots of nice, cheap fabric, but also used to be a mill making both wool and cotton/linen yarn for weaving.

20170727_150033

This was when we visited our friends Kristina and Jonas, who just happened to have this in their barn :)

20170727_132540_001

I did some sewing while on holiday too: I hand sewed most of a new shift for Valeria, it's going to have embroidery at all the seams, and along the sleeves, so I can't add the sleeves until I've made that embroidery. I'm getting supplies for that today. And when I had done as much as I could on the shift I started embroidering on my regency gown again, and I think it will a) be finished for the picninc on the 2nd of September and b) be really pretty.
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 I made the apron yesterday, and the cap today, so this afternoon Rickard and I could go outside and take some photos of the new Italian gown.

 


More images and info here.


I also took in my regency corset while watching an old adaptation of "Sense and Sensibility" together with Alfhild.



I really am tanned this summer. I usd to spend my summers avoiding the sun, so to not have a tan at Visby Medieval week in August, but some ten years ago I realized that I can't let my hobby rule my whole life. And that I like the way I look with a tan - and besides it's good for my psoriasis.
And convincing for a working class woman of the Quattrocento ;)




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Last weekend there was a "Medieval Day" at a (semi-)local site where there used to be a castle in the High Middle Ages. Today there is nothing left to see, but it´s a beautiful place next to the sea.

And I swam three times in the sea!

I brought my tent, which I dreaded putting up and taking down for just two days, but it went up really quickly and took almost no time to set up nicely, hiding all the mundane packing stuff behind wall hangings, putting the chest together and putting up mine and Katarina's camping beds.




Rickard was tired after working the whole week, so he and Maja just came down over the day when the market was on Saturday.

Friday night was really perfect - relaxed talking (and some sewing) around the table, with a pot over the fire providing tea water, some wine to drink, and ending with a walk up to the top of the hill where the castle used to be, to look out over the sea.

Saturday was also nice, but you get tired from being "on display" from 10 am to 5 pm, so people went to bed earlier We also wanted to pack early on Sunday morning. But we made a good pottage with whole wheat, carrots, cabbage, onions, bacon and smoked sausages and ate together. Then Gaby and Linus and I went for a swim (my third), we all talked (and sewed) some more. When the others went to bed I took a final walk around the small peninsula, going down to the little beaches or out to the furthest cliffs, before going to bed around midnight. It was a magical feeling those nights, just like it used to be with my old medieval group Nylöse.

Many more photos from the event can be found here.

I also started on a new working class Italian ca 1480s dress from thin wool, and finished everything except the sleeves and six lacing holes . The rest I made yesterday and this morning. 
Of course, when I tried it on it turned out to be too big, so I hade to take it in. It is no fun unpicking all hand sewn garments.

But of course I did it, and this is the result.



It needs an apron and a little white cap, both of which I plan to make this week. Maybe not tomorrow though, because we're going to a friend who stays on one of the islands in the Gothenburg archipelago to barbecue and swim in the sea.

Oh - and my holiday officially started today - I put on the automatic answer function :)




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 In this case a 15th century Italian gown made from old rayon damask curtains in a fit of inspiration after my first trip to Florence in September 2015.
I've made a page about it, over here.

I love how the photos that Rickard took turned out.


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Some people that I know have a blog called "The Medieval Hunt". They have made this both good and funny guide to ways to wear your hood 14th and 15th century style. With documentation and awesome musical choices.



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Another costume page made, this time on my brown 15th century German dress I actually found photos of me wearing it, which I am very happy for. Since I've gained twenty kilos in those six years taking new photos really wasn't an option.

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Photos taken by Valeria at the demo for our SCA barony Gotvik:

Me posing:



Another one )

The castle ruin, which you see some pieces of is from the 14th century and looks like this.

Wearable

Jul. 21st, 2012 01:03 am
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Yay! The 15th century Venetian is wearable for tomorrow's demo. The lower sleevs aren't completely finished, but that will be done when we reach the site. Now I will try and get som sleep since we have to be up very early to catch the bus.
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Or whatever you call it; the burgundy silk dress I'm wearing under what was my wedding dress. I have shortened the shoulder straps tonight, to make the bodice a little higher and I am going to wear a more low-cut smock and make sleeves from the same silk. But I think it looks very pretty even now.


New fabric

May. 30th, 2012 02:59 pm
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Amidst all the sickness and work stress I have finally gotten interested enough to buy fabric for a kirtle to wear under my wedding dress from 2003; thus making it a 15th century Venetian outfit. It's a printed silk, which I know is wrong, but at least it's silk taffeta and it's very pretty. I may even decide to use the unprinted side. The deadline is the SCA event Civil Wars in September.

Edited to add photo:


I've just put the fabric inside the wedding gown to give an idea of how it's supposed to look.



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The Ashmolean museum has a fine collection of printed cotton textiles from the 13th centuries onward. These are the 16th century ones, which unfortunately are fewer than the ones from the previous centuries. The are all found in Egypt.
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I am not going to the NESAT conference in Esslingen next May - my current research project doesn't really fit in and I don't go to conferences where I don't contribute (plus that I have very little money) but this might be the most interesting thing I've heard of for a decade.
frualeydis: (16th century)
Me and the big girls posing outside our tent. It was a very weird light from the setting sun, so our faces look very orange - it wasn't that bad in reality I think.


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